Its always an honor to hang work next to a Tinguely.

I made this collage a long time ago when I was making small works to sell here in town. I am now at a point in my painting where it will fit well into a group as a large painting. I plan to make a 3 ft oil painting from it in the next few weeks.

The day is coming when a single carrot, freshly observed, will set off a revolution. -Paul Cezanne

Maisy's collage.

Suddenly I cannot do a collage to save my life. I keep trying to make the piece into something I have predetermined instead of letting it be what it wants to be. I have switched to watercolor for awhile in order to gain some more control over my images. Maisy couldn't care less.

Last weekend I went down to the local art museum and checked out a show of paintings by Maud Gatewood. Her work is uniquely abstracted, a style of painting like no other work I have seen before. She seems to have developed a technique of masking off sections and building up multiple layers of texture, rendering surfaces such as straw, trees, rock, even cows and people. It was not always easy to see how she executed some of the surfaces. I had never heard of Gatewood before going to this show and even now when I look up her work online the images I find do not come close to doing justice to seeing them in person.